While it may resemble an x-ray or rayograph, this mixed-media work begins by rubbing encaustic wax on drafting film to catch the seams and details of second-hand clothing. In my work as a textile artist, I often encounter hand-sewn repairs, threadbare fabric, and collars inscribed with names — each a trace of someone’s history. These remnants evoke a strange intimacy, making the garments feel alive. I believe second-hand clothing does not just represent people. It remembers them.
Learn more about my process in the blog.
Size: 42″ × 30″ (H × W)
Materials: Black encaustic wax and acrylic on drafting film
Framing: The piece will be saddle-stitched to museum board for presentation
Much of my studio time as a textile artist is spent sewing, sorting, and folding vast quantities of second-hand clothing. This empathetic and quietly radical work feels tender to me. It also serves as a queer reclamation of tasks historically coded as feminine. Through this process, I challenge prevailing notions of masculinity.
As I’ve developed this body of work, clothing has become increasingly disposable, creating an ecological crisis of its own. Through my practice as a textile artist, I try to raise awareness of textile waste. I also hope to invite a more mindful engagement with the often-unconscious daily ritual of getting dressed.
See what I’m up to on Instagram.
